Fritz Bauer Institut · Cinematography of the Holocaust
ID |
FBW000391 Fiction |
Country / Year |
USA, 1947 |
Original Title |
The Exile |
Other Title(s) |
Der Verbannte (German) |
Directed by |
Max Ophüls (als: Max Opuls) |
Produced by |
Fairbanks Company, Inc., Los Angeles, CA; for Universal International Pictures Co. (Universal Pictures Company, Inc.), Universal City, CA (New York, NY) |
Staff |
Producer: Douglas Fairbanks, Jr.; Production manager: Clarence E. Ericksen; Production assistance: H. Alexander MacDonald; Secretary: Renate Lenart; Location manager: Charles Stallings; Dialoge direction: Colin Keith-Johnston; Assistent director: Ben Chapman (1. Regieassistenz), George Lollier (2. Regieassistenz), Gordon McLean (2. Regieassistenz); Continuity: Adele Cannon; Script: Douglas Fairbanks, Jr., Clemence Dane, Max Ophüls (als: Max Opuls); Based on: Cosmo Hamilton ("His Majesty, the King" / Roman); Dialogue coach: Simon R. Mitchneck (für Maria Montez); Camera: Franz Planer (als: Frank Planer), George Robinson (19.06.1947), Hal Mohr (23.-28.06.1947); Cameraman: David Ragin, Richard Towers (28.05.1947); Assistent cameraman: Walter Bluemel, John Pasternak, Lew Schwartz; Dolly: Lester Kahn, Arvid Woodin; Special optical effects: David S. Horsley (Kamera), James V. King (Kamera-Führung), Kyme Meade (Assistenz); Still photograpy: Maurice Goldberg, John Ellis (ab 31.05.1947); Lighting: Tom Ouellette; Best boy: Tex Bellah; Editing: Ted J. Kent; Assistant editing: Leonard Weiner; Sound: William Hedgcock, Charles Felstead; Sound supervision: Leslie I. Carey; Sound recording: James Masterson; Assistent sound recording: Ralph Butler; Art direction: Howard Bay, Hilyard Brown; Art direction supervision: Bernard Herzbrun; Grip: Roland Smith, [Herr] McLatchie (Spezialeffekte, Kamera), Wes Thompson (Spezialeffekte, Kamera); Set decoration: Russell A. Gausman, Ted F. Offenbecker; Props: Wally Kirkpatrick, Eddie Case (Assistenz), [?] Laraby (Assistenz, ab 12.05.1947); Special Effects: Glen Johnson; Costumes: Dwight Franklin; Costumes extra: Laure Lourie (für Maria Montez); Wardrobe: Roger Weinberg, Fred Ritchie, Virginia Tutwieler, Ann Fielder; Makeup: Bud Westmore, Robert Littlefield, Lou LaCava, Walter Herman (ab. 12.06.1947); Haidressing: Carmen Dirigo, Betty Pedretti, Mae Clark; Music: Frank Skinner; Musical direction: Frank Skinner; Orchestration: David Tamkin; Coach: Fred Cavens (Fechtmeister); Foley: Jim Phillips (Tiere-Überwachung); Casting: Jack Merton, Phil Benjamin (Nebenrollen), Jonnie Rennick (Statisten); Press: Don Reeve; Stunt coordination: David Sharpe (Action sequences designed by) |
Cast |
Maria Montez (The Countess de Courteuil); Henry Daniell (Colonel Ingram); Nigel Bruce (Sir Edward Hyde); Robert Coote (Pinner); Rita Corday (als: Paule Croset) (Katie); Douglas Fairbanks, Jr. (King Charles II Stuart); Otto Waldis (Jan); Eldon Gorst (Seymour); Colin Keith-Johnston (Captain Bristol); Lester Matthews (Robbins); Willy Trenk-Trebitsch (als: William Trenk) (Footman); Milton A. Owen (Wilcox); Ben H. Wright (Milbanke); Colin Kenny (Ross); Peter Shaw (Higson); Will Stanton (Tucket); C.S. Ramsey-Hill (Cavalier Official); Gordon Clark (Cavalier Guard); Lumsden Hare (Roundhead General); Thomas P. Dillon (Jasper); Fred Cavens (Coachman); Alla Dunn (Marie); Torben Meyer (Sea Captain); Grayce Hampton (First Court Lady); Mary Forbes (Second Court Lady,); Charles Stevens (Painter); James Logan (Thurber); Art Foster (Jessop); Harry Cording (Roundhead); Bruce Riley (Roundhead); Saul Gorss (Roundhead); Erich von Schilling (Servant); Garry Watson (Servant); Joe Ploski (Servant); Don Castle (Servant); Janna De Loos (Servant); Reginald Sheffield (Commanding Officer); Colin Campbell (Old Secretary); Patrick O'Moore (1st Cavalier); James Craven (2nd Cavalier); Leonard Carey (Cavalier); Edith Clinton (Cavalier's Wife); Lotte Stein (Fat Dutch Woman); Michael Mark (Drunk); Edwin August (Burger); David Cavendish (Pigeon Keeper); Norbert Schiller (Messenger); John Meredith (1st Trumpeter); Richard Abbott (1st Dutch Berger); Keith Hitchcock (Military Man); Daniel de Jonghe (Working Man); Charles Knight (Ingram's Aide); Perc Launders (Guitar Player); Mary Bye (Waitress); Frank Austin (Card Player); Jack Curtis (Card Player); Sheldon Jett (Card Player); Patrick Griffin (Small Boy); Eddie Cregar (Young Boy); Joseph Kamaryt (Man at Inn); Elinor Van der Veer (Woman,); Diane Lee Stewart (Girl) |
Length |
2558,16 m / 93'29'' u. 2505,72 m / 91'35'' |
Format |
35mm/sw (in Sepiaton eingefärbt)/1:1,37 |
Dates |
- 24 Apr 1947-08 Jul 1947: Shooting period |
Further Remarks |
- Zensurlänge, BRD: 2507 m / 91'38'' |
Abstract |
Charles II, the King of England, finds himself in exile in Holland, where he falls in love with a beautiful farm-girl. |
Subject Terms |
|
Holdings |
- Deutsches Filmmuseum (DFM), Frankfurt am Main |
Bibliography |
- Roud, Richard: Max Ophuls. An Index. London: British Film Institute, 1958 |
Credits |
- 1. UNIVERSAL-INTERNATIONAL / In Association with / THE FAIRBANKS COMPANY, Inc. / Presents / MARIA MONTEZ / HENRY DANIELL / NIGEL BRUCE / ROBERT COOTE / and introduce / PAULE CROSET / with / DOUGLAS FAIRBANKS, Jr. / in / THE EXILE / An Adventurous Legend / Adapted by Cosmo Hamilton's / "His Majesty, The King" |