Fritz Bauer Institut · Cinematographie des Holocaust


Saboteur. R: Hitchcock [US, 1942]

ID

FBW001300      Spielfilm

Land / Jahr

USA, 1942

Originaltitel

Saboteur

Regie

Alfred Hitchcock

Produktion

Universal Pictures Company, Inc., Universal City, CA / New York, NY / Frank Lloyd Productions, Inc., Los Angeles, CA

Prod. / Stab

Produktionsleitungsassistenz: Jack H. Skirball; Regieassistenz: Fred Frank; Drehbuch: Peter Viertel, Joan Harrison, Dorothy Parker (based on an original story by Hitchcock); Buchvorlage: Alfred Hitchcock; Kamera: Joseph Valentine; Schnitt: Otto Ludwig; Ton: Bernard B. Brown; Künstlerische Beratung: Robert Boyle, Jack Otterson (Künstlerische Gestaltung); Technik (Grip): William Hedgcock; Requisiten: Russell A. Gausman (Innenrequisiteur); Musik: Frank Skinner, Charles Previn

Darsteller

Priscilla Lane (Patricia ('Pat') Martin); Robert Cummings (Barry Kane); Otto Kruger (Charles Tobin); Alan Baxter (Freeman); Clem Bevans (Neilson); Norman Lloyd (Frank Fry); Alma Kruger (Mrs. Henrietta Sutton); Vaughan Glaser (Phillip Martin); Dorothy Peterson (Mrs. Mason); Ian Wolfe (Robert, the Butler); Frances Carson (Society Woman); Murray Alper (Mac, the Deputy Driver); Kathryn Adams (Young mother); Pedro de Cordoba (Bones the Human Skeleton); Billy Curtis ("Major" the Midget); Marie LeDeaux (Tatania the Fat Woman); Anita Sharp Bolster (Esmeralda the Bearded Lady/Lorelei); Jeanne Romer (Marigold, Siamese Twin); Lynn Romer (Annette, Siamese Twin); William Wright (als: Will Wright / Company Official); Ralph Dunn (FBI Man at Mason's House); Matt Willis (Deputy); Charles Halton (Sheriff); James Flavin; Archie Twitchell (Motorcycle Cops); Margaret Moffat (Neighbor); Hans Conried (Edward); Alan Bridge (Marine Sergeant MP); Paul Everton (Bus Man); Pat Flaherty (Navy Man); Milton Kibbee (Husband in Movie Audience); Barton Yarborough (1st FBI Man at Mason's House); Virgil Summers (Ken Mason); Lee Phelps (Plant Policeman); George Offerman, Jr. (Worker); Harry Strang (Cop); Marjorie Wood (Farmer's Wife); Paul E. Burns (Farmer); Belle Mitchel (Adele, the Maid); Eddie Foster (Driver for Saboteurs); William Ruhl (Deputy Marshal); Eugene Gericke (als: Gene Garrick) (Worker); Oliver Blake (als Oliver Prickett); Dick Midgley; Don Cadell (FBI Men); Gene O'Donnell (Jitterbug); Paul Phillips (Driver); William Gould (Stranger); Vinton Haworth (als Jack Arnold / Other Man in Movie); Margaret Hayes (Wife in Movie); Rex Lease (Plant Counterman); Duke York (Deputy); Nancy Loring (Young Mother); Frank Marlowe (George, the Truck Driver); Norma Drury (Refugee Mother); Charles Sherlock (Barry's Taxi Driver); Jack Cheatham (Detective); Jack Gardner (Pat's Taxi Driver); Alexander Lockwood (Marine); Alfred Hitchcock (Deaf and Mute Man Outside Drug Store); Cyril Ring (Party Guest); Jeffrey Sayre (Henchman); Kernan Cripps (Man in Movie Audience); Jean Trent (Blonde Aircraft Worker); Jimmie Lucas (Taxi Driver); Dale Van Sickel (FBI Assistant/Phone Operator); Walter Miller; Mary Curtis (Midgets); Margaret Ann McLaughlin (Baby Susie Brown); Kermit Maynard (Cowhand); Gerald Pierce (Elevator Operator); Claire James (als: Carol Stevens / Deaf Man's Companion); Selmer Jackson (FBI Chief); Emory Parnell (Husband in Movie); Lou Lubin; Torin Thatcher; Will Lee (Worker); John Eldredge (Footman); Samuel S. Hinds (Foundation Leader); Claire Whitney (Wife in Movie Audience)

Länge

2982 m / 108'

Format

35mm/sw/1:1,37

Synopsis

Die Geschichte eines jungen amerikanischen Luftfahrtarbeiters, der der Sabotage verdächtigt wird, als die Fabrik, in der er arbeitet, Feuer fängt.

Schlagworte

Antinazifilm (USA)

Kopien

- UCLA (Film and Television Archive), Los Angeles, CA; 35mm
- National Archives of Canada, Moving Image and Sound Archives, Ottawa; 35mm
- Swank Motion Pictures, St. Louis, MO; 16mm

Materialien

- AMPAS (Margaret Herrick Library), Beverly Hills, CA; Production files
- USC (University of Southern California), Cinema- Television Library and Archive of Performing Arts, Los Angeles, CA; Production files
- Svenska Filminstitutet, Stockholm; Dialogue sheets

Literatur

- , in: Sight and Sound (London), Vol. 11, Nr. 42, Herbst 1942
- , Motion Picture Herald (New York, NY), Vol. 147, Nr. 4, 25.04.1942
- , in: Motion Picture Herald (New York, NY), Vol. 147, Nr.5, 02.05.1942
- , in: Today's Cinema, Vol. 58, Nr. 4729, 29.05.1942
- , in: Kinematograph Weekly (London), Nr. 1833, 04.06.1942
- Walt.: "Above Suspicion", in: Variety, 28.04.1943
- , in: Today's Cinema, Vol. 70, Nr. 5635, 16.04.1948
- , in: Kinematograph Weekly (London), Nr. 2138, 22.04.1948
- , in: Kinematograph Weekly (London), Nr. 2138, 22.04.1948
- , in: Sight and Sound (Supplement) (London), Vol. 18, Mai, 18.05.1949
- Rohmer, Eric / Chabrol, Claude: Hitchcock, Classiques du Cinéma, Vol. 6, Paris: Editions Universitaires, 1957
- Truffaut, François / Scott, Helen: Le cinéma selon Hitchcock. Paris: Robert Lafont, 1966
- Perry, George: Hitchcock. London: MacMillan, 1975
- Spoto, Donald: The Art of Alfred Hitchcock. Fifty Years of His Motion Pictures. New York, NY: Hopkinson and Blake, 1976
- Taylor, John Russell: Hitch. The Life and Work of Alfred Hitchcock. London / Boston: Faber and Faber, 1978
- Fischer, Robert: Alfred Hitchcock. Eine Bilddokumentation seiner Kunst. Schorndorf/Ammersee: Roloff und Seeßlen, 1979
- Rosetti, Ricardo (Hg.): Tutti i film Hitchcock. Mailand: Savelli, 1980
- Wulff, Hans Jürgen: All About Alfred. Hitchcock-Bibliographie. Münster: Maks, 1983
- Nash, Ray R. / Ross, Stanley R. / Conelly, Robert B. (Ed.): Motion Picture Guide. Chicago, IL: Cinebooks, 1987
- Sloan, Jane E.: Alfred Hitchcock. Berkeley, CA / Los Angeles, CA / London: University of California Press, 1995