Fritz Bauer Institut · Cinematographie des Holocaust
ID |
FBW000392 Spielfilm |
Land / Jahr |
USA, 1947-1948 |
Originaltitel |
Letter from an Unknown Woman |
Andere Titel |
Brief einer Unbekannten (deutscher Titel) |
Regie |
Max Ophüls (als: Max Opuls) |
Produktion |
Rampart Productions, Inc., Los Angeles, CA; für Universal International Pictures Co. (Universal Pictures Company, Inc.), Universal City, CA (New York, NY) |
Prod. / Stab |
Produzent: John Houseman; Executive Producer: William Dozier; Produktionskoordination: John Hambleton; Sekretariat: Renate Lenart; Aufnahmeleitung: Edward Dodds; Regieassistenz: John F. Sherwood (1. Assistenz), Les Warner (2. Assistenz), Mickey Bennett (2. Assistenz); Script: Adele Cannon; Drehbuch: Howard Koch; Buchvorlage: Stefan Zweig ("Brief einer Unbekannten" / Novelle); Kamera: Franz Planer (als: Frank Planer), Glenn Adams (Matte Photography); Kameraführung: David Ragin, Lloyd Ward (15.09.1947); Kameraassistenz: Walter Bluemel, Philip H. Lathrop (als: Phil Lathrop) (15. u. 24.09.1947), [Herr] Williams (23.09.1947), [Herr] Lowry (25. u. 27.10.1947), Lew Schwartz (08.01.1948), Robert Pierce (Matte Photography); Dolly: Lester Kahn, Arvid Woodin; Optische Spezialeffekte: [Herr] Hoffman, David S. Horsley (11. u. 14.10.1947), James V. King (Assistenz, 24.09.1947), [Herr] Marlett (Assistenz, 11. u. 14.10.1947), [Herr] Abeis (Technik, 24.09.1947), [Herr] Johnson (Technik, 24.09.1947), Wes Thompson (Technik, 11. u. 14.10.1947), [Herr] DeFrancis (Technik, 11. u. 14.10.1947); Standfotografie: Albert Anderson, William Wallace (27.10.1947); Beleuchtung: Tom Ouellette; Beleuchtungsassistenz: Tex Bellah; Schnitt: Ted J. Kent; Ton: Glenn E. Anderson (als: Glenn F. Anderson); Ton-Überwachung: Leslie I. Carey; Ton-Aufnahme: Martin Brown; Galgen: Frank Gorbach; Ton, div.: Ralph Butler (Mike Man, 19.-21.09.1947 u. 08.01.1948), [Herr] Tucker (Mike Man, 19.-21.09.1947), John Muchmore (Mike Man, 15.-16.10.1947); Bauten: Alexander Golitzen; Technische Beratung: Paul Elbogen; Technik (Grip): Roland Smith, Ben Hawkins (08.01.1948); Ausstattung: Ruby R. Levitt, Charles Baker; Ausstattung-Überwachung: Russell A. Gausman; Requisiten: Wally Kirkpatrick, [?] Grundstrom (Assistenz, 09.-14.09.1947), [?] Laraby (Assistenz, 15.-16.09.1947), Earl Neal (Assistenz, 27.10.1947), [?] Rosencrantz (Assistenz, 19.09.1947), Jim Phillips (Tiere u. Wagen); Spezialeffekte: [Herr] Jerowitz; Kostüme: Travis Banton; Garderobe: Virginia Tutwieler, Gene Goffin; Masken: Bud Westmore (Masken-Überwachung), Lou LaCava, John Holden (08.01.1948); Frisuren: Carmen Dirigo, Helene Parrish; Musik: Daniele Amfitheatrof; Orchestrierung: David Tamkin; Choreographie: Bert Prival; Musik, div.: [?] Rubini (Musik-Unterricht für Louis Jourdan); Casting: Mildred Gusse; Double: Norma Holm (Joan Fontaine), Phil Shepard (Louis Jourdan), Sally Wood (Mady Christians) |
Darsteller |
Joan Fontaine (Lisa Berndle); Louis Jourdan (Stefan Brand (vereinbart mit David O. Selznick)); Mady Christians (Frau Berndle); Marcel Journet (Johann Stauffer); Art Smith (John); Carol Yorke (Marie); Howard Freeman (Herr Kastner); John Good (Lt. Leopold von Kaltenegger); Leo B. Pessin (Stefan, Jr.); Erskine Sanford (Porter); Otto Waldis (Concierge); Sonja Bryden (Frau Spitzer); Patricia Alphin (Pretty); Willy Trenk-Trebitsch (als: William Trenk) (Fritzel); Fred Nurney (Officer on Street); Torben Meyer (Driver); Hermine Sterler (Mother Superior); C.S. Ramsey-Hill (Col. Steindorf); Will Lee (Mover); William Hall (Mover); Lotte Stein (Woman Musician); Ilka Grüning (als: Ilka Gruning) (Woman Ticket Taker); Paul E. Burns (Concierge); Roland Varno (2nd Second); Leo Mostovoy (Older Man); William Gould (The Burgomaster); Roy Gordon (Elderly Man in Uniform); Shimen Ruskin (Older Man); Celia Lovsky (Flower Vendor); Lester Sharpe (1st Critic); Edit Angold (2nd Middle aged Woman); Michael Mark (Customer); Al Eben (Waiter); Walter Soderling (Man); Lisa Golm (Woman Musician); Lois Austin (Elderly Woman); Kay Morley (Daughter); Mauritz Hugo (Young Man); Elektra Rozanska (Elegant Lady); Paul Peter Szemere (Mover); Irene Seidner (Frau Mombert); Max Willenz (Baggage Man); Edna Holland (Nun); Gordon Clark (Street Singer); William Vedder (Street Singer); Elisabeth Kerr (Woman); Helen Spring (Middle aged Woman); Betty Blythe (Frau Kohner); John Elliott (Flower Vendor); Norbert Schiller (1st Second); Mary Worth (Musician); Rex Lease (Station Attendant); Hal Melone (Waiter); Walter Bonn (Col. Kohner); Bruce Riley (2nd Officer); Blanche Obronska (Young Woman); Erich von Schilling (Usher); Jamesson Shade (Musician); Lisl Valetti (Woman Musician); Jack George (2nd Critic); Edmund Cobb (Carriage Driver); Edwin Fowler (Dancing Master); Ashley Cowan (Callow Youth); Gabrielle Windsor (Ballet Girl); Joe Garcia (Collector); John Bambury (Midget); Sven-Hugo Borg (Mover); Diane Lee Stewart (1st Girl Friend); Doretta Johnson (2nd Girl Friend); Vera Stokes (3rd Girl Friend); Lorraine Gale (4th Girl Friend); Robert Bailey (Woman Passenger); Tay Dunn (Young Officer); Doug Carter (Man); Jack Gargan (Man); Peggy Remington (Woman); Cy Stevens (Man); Arthur Lovejoy (Footman); Frieda Stoll (Burgomaster's Wife); Jack Worth (Officer); Paul Rochin (Bavarian Man); Joseph Kamaryt (Bavarian Mountain Climber); Pete Sosso (als: Pietro Sosso) (Coachman); Tom Costello (Musician); Watson Downs (Conductor); William Schroff (Waiter); Howard M. Mitchell (Man on Streetcar); Sam Gilmore (Cafe Patron); Guy L. Shaw (Cafe Patron); June Wood (Cashier); Herbert Winters (Student); Jean Ransome (Maid); George Blagoi (Man); Roy Bross (Porter); Judith Woodbury (Model); Betty McDonough (Woman); Joe Ardao (Small Man); Donald Chaffin (Donald Chaffin); Helen Dickson (Large Woman); John McCallum (Store Helper); Harry Anderson (Man); Curt Furberg (Butler); Manuel Paris (Baron's Second); Robert W. Brown (1st Officer); Carli Elinor (Austrian Band Leader) |
Länge |
2390,9 m / 87'23'' |
Format |
35mm/sw/1:1,37 |
Zeitangaben |
- 02.09.1947-27.10.1947: Drehzeit |
Weitere Angaben |
- Zensurlänge, BRD: 2382 m / 87'10'' |
Schlagworte |
|
Kopien |
- Freunde der Deutschen Kinemathek, Berlin |
Materialien |
- Wisconsin Center for Film and Theater Research, Madison, WI: Howard Koch Papers; Drehbuch |
Literatur |
- Hellmer, Kurt (als: k.h.): "Letter From Unknown Woman (Rivoli)", in: Aufbau (New York, NY), Jg. 14, Nr. 19, 07.05.1948 |
Vor- / Nachspann |
- 1. WILLIAM DOZIER / PRESENTS / A / [RAMPART] / RAMPART / PRODUCTION |